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About
Description

Ilya Ruderman created the first version of BigCity Grotesque for Bol’shoi Gorod magazine (Big City). The typeface, like other humanist sans serifs, is based on the structures of old-style serifs. BigCity Grotesque was the first magazine sans serif with Cyrillic ligatures. It was honored in 2009 in the international competition, Modern Cyrillic 2009.

In the latest version, by Olga Pankova, the shapes of the letters have been updated, and there are new upright and italic styles, small capitals and new ligatures and non-alphabetic symbols.

BigCity Grotesque Pro, thanks to the wide range of weights and styles that it offers, has become a serious tool for meeting all kinds of typographical demands: from large displays to the most finicky typesetting.

For additional license options like app and enterprise, visit Big City Grotesque on Type Network.

CSTM Fonts

Ilya Ruderman and Yury Ostromentsky, founders of CSTM Fonts (2014) and font distributor type.today (2016) are both graphic and type designers.

They graduated from Moscow State University of Print (Graphic Design Department), where they took Alexander Tarbeev’s classes. Later Ilya Ruderman graduated from Type & Media (Royal Academy of Art), the Hague, the Netherlands. After graduation he was a tutor of Type&Typography course at British Higher School of Art and Design, Moscow (2008-2015), and an art-director of information agency RIA Novosti. He designed Cyrillic versions of typefaces such as Lava, Graphik, Neutraface and others, for Typotheque, Commercial Type, Typonine and House Industries. He is an author of: Permian typeface, Big City Grotesque and several other corporate typefaces.

Before 2013 Yury Ostromentsky worked mostly as an editorial designer and art-director of BigCity Magazine, where he used his personal lettering that was the base of the Pilar typeface. He is an author of several book series designs and logotypes.

Both typefaces of Ilya Ruderman and Yury Ostromentsky were the winners of such type design competitions as Modern Cyrillic 2009, Modern Cyrillic 2014, Granshan 2011, European Design Award 2012. Kazimir typeface and Tele2 Typefamily, the CSTM Fonts’s latest releases, were among the winners of Granshan 2015.

Licensing Information
The full Adobe Fonts library is cleared for both personal and commercial use.

As with everything from Adobe Fonts, you can use these fonts for:

Design Projects

Create images or vector artwork, including logos

Website Publishing

Create a Web Project to add any font from our service to your website

PDFs

Embed fonts in PDFs for viewing and printing

Video and Broadcast

Use fonts to create in-house or commercial video content

And more…

Visit the Adobe Fonts Licensing  FAQ for full details

Visit CSTM Fonts to purchase additional licensing and services, including:
Mobile Apps: Embed fonts in your app UI
Self Hosting: Host web font files on your own server
Custom Services: Request modifications or bespoke fonts directly from the foundry
Volume licensing: Use the fonts across your whole organization
Select font style

How to Use

You may encounter slight variations in the name of this font, depending on where you use it. Here’s what to look for.

Desktop

In application font menus, this font will display:

{{familyCtrl.selectedVariation.preferred_family_name}} {{familyCtrl.selectedVariation.preferred_subfamily_name}}

Web

To use this font on your website, use the following CSS:


font-family: {{familyCtrl.selectedVariation.family.css_font_stack.replace('"', '').replace('",', ', ')}};
font-style: italicnormal;
font-weight: {{familyCtrl.selectedVariation.font.web.weight}};
        

Glyph Support & Stylistic Filters

Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles.